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To sing of the Mio Cid is the fundamental work of the Spanish epic; there knows himself neither the author nor the
writer who gave to him(her) definitive form entities of being fixed by the writing. In Vivar's settlement, to a few kilometres of Castile, Rodrigo Díaz was born in the year 1043. Orphan to very short age, lived with the royal family of Castile. Being already a gentleman, it(he,she) fought against the of Navarre gentleman Jimeno Garcés, for the possession of a settlement. This victory would give him(her) the nickname of (winning) "Warrior". The term(end) "Leader" is of Arabic origin and gentlem. means this work develops in several cities of valency at the end of the 12th century or beginning of the XIIIth in several kingdoms. It(He,She) treats of a collector of taxes, Ruy Díaz de Vivar (Mio Cid), which is exiled by the king Alfonso VI since lies said him to this one brings over of Leader. He(it) goes out in company of his(her,your) faithful gentlemen and one turns mas richly that his(her,your) king but it(he,she) never loses the respect and as it(he,she) is recovering the cities that him(her) were wrested from his(her,your) king the confidence is gained(earned) of. In valency for request of the Leader, it(he,she) meets his(her,your) family and after this they receive the offer of wedding of the infantes of Carrión towards the daughters of the Leader with double intention. These show promptly his(her,your) cowardice and feeling humiliated, the infantes decide to take revenge. For it they make a trip towards Carrión with his(her,your) wives(handcuffs) and, on having come to Corpes's oakwood, flog them and leave them there weakened. Known the turpitude, the Leader asks the king for justice. There is realized then a duel(grief), in which the warriors of the Leader conquer the infantes. These remain dishonored and his(her,your) weddings, pretences. To sing ends with the project of wedding of the daughters of the Leader with the infantes of Navarre and of Aragon. The book possesses the cultural only(unique) content, where it(he,she) reflects the medieval context and the details of the society, where the honor plays his(her,your) more important paper(role). It(he,she) is without doubts, one of the poems of oral tradition successful mas of the history.
Publicado el: julio 29, 2009
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